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MEGABOX, Sculpture installated, 1992, diameter 180 cm, wood,  serigraphie on paper 26 colours, iron, wheel, locomotion system with iron gear, stereo recorder.

I was inspired by the boxes that were used in 1700, small symbolic everyday objects upholstered / upholstered with canvas or colored / decorated paper, in which small "things" with romantic / nostalgic function, with personal intimate emotional load were preserved. , precious sentimental memories of loved ones, such as hairstyles, small photos, etc. The conceptual operation is to enlarge a small object for everyday use, a spatial extension with the intention not to reproduce the reality, but to suggest it, changing -the meaning.After the material transformation and the ideology underlie the poetic moment, and the metamorphosis becomes a metaphor.

It is an installed sculpture, made in 1993, with the technical collaboration of Arch. Pietro Bagli Pennacchiotti.
Made of wood, it is composed of 2 elements, lid and container, connected by an iron gear. The two elements are placed on the rotating side, the dynamics, on 5 wheels that allow the movement, manipulation of the lid around the body of the "box". I upholstered the Megabox with paper that I printed by hand, in the artistic silkscreen technique - the direct method, in layers - in 26 colors, the French text: "OVAJAIAIAIII ... Entendez-vous, je vous dis quelquechose". The first word is invented and onomatopoeic, without beginning and without end, while the phrase "Entendez-vous, Je vous dis quelque chose" represents my desire to communicate, considering that art is, above all, a form of communication, and , therefore, confirmation of the importance of its existence as a necessity.
The character of the letters of the text is that used by the Italian national daily newspaper "la Repubblica".
I composed this text like a newspaper page - the vehicle of communication and diffusion: rhythmically and repetitively, without beginning and without end, thinking about the infinite passage of time. I installed in MEGABOX a stereo recorder, choosing "RAPATITUDES" music, rap music, spoken, without beginning and end, in French with an African accent. In order to "give voice" to the text and especially to the transmission, diffusion of the idea of ​​communication of my artistic belief.
dimm: 180 cm diameter; 90 cm thick (when closed), and when open and mobile; 80 cm box thickness and 30 cm lid thickness.
MEGABOX, Sculpture installated, 1992, diameter 180 cm, wood,  serigraphie on paper 26 colours, iron, wheel, locomotion system with iron gear, stereo recorder.

I was inspired by the boxes that were used in 1700, small symbolic everyday objects upholstered / upholstered with canvas or colored / decorated paper, in which small "things" with romantic / nostalgic function, with personal intimate emotional load were preserved. , precious sentimental memories of loved ones, such as hairstyles, small photos, etc. The conceptual operation is to enlarge a small object for everyday use, a spatial extension with the intention not to reproduce the reality, but to suggest it, changing -the meaning.After the material transformation and the ideology underlie the poetic moment, and the metamorphosis becomes a metaphor.

It is an installed sculpture, made in 1993, with the technical collaboration of Arch. Pietro Bagli Pennacchiotti.
Made of wood, it is composed of 2 elements, lid and container, connected by an iron gear. The two elements are placed on the rotating side, the dynamics, on 5 wheels that allow the movement, manipulation of the lid around the body of the "box". I upholstered the Megabox with paper that I printed by hand, in the artistic silkscreen technique - the direct method, in layers - in 26 colors, the French text: "OVAJAIAIAIII ... Entendez-vous, je vous dis quelquechose". The first word is invented and onomatopoeic, without beginning and without end, while the phrase "Entendez-vous, Je vous dis quelque chose" represents my desire to communicate, considering that art is, above all, a form of communication, and , therefore, confirmation of the importance of its existence as a necessity.
The character of the letters of the text is that used by the Italian national daily newspaper "la Repubblica".
I composed this text like a newspaper page - the vehicle of communication and diffusion: rhythmically and repetitively, without beginning and without end, thinking about the infinite passage of time. I installed in MEGABOX a stereo recorder, choosing "RAPATITUDES" music, rap music, spoken, without beginning and end, in French with an African accent. In order to "give voice" to the text and especially to the transmission, diffusion of the idea of ​​communication of my artistic belief.
dimm: 180 cm diameter; 90 cm thick (when closed), and when open and mobile; 80 cm box thickness and 30 cm lid thickness.
MEGABOX, Sculpture installated, 1992, diameter 180 cm, wood,  serigraphie on paper 26 colours, iron, wheel, locomotion system with iron gear, stereo recorder.

I was inspired by the boxes that were used in 1700, small symbolic everyday objects upholstered / upholstered with canvas or colored / decorated paper, in which small "things" with romantic / nostalgic function, with personal intimate emotional load were preserved. , precious sentimental memories of loved ones, such as hairstyles, small photos, etc. The conceptual operation is to enlarge a small object for everyday use, a spatial extension with the intention not to reproduce the reality, but to suggest it, changing -the meaning.After the material transformation and the ideology underlie the poetic moment, and the metamorphosis becomes a metaphor.

It is an installed sculpture, made in 1993, with the technical collaboration of Arch. Pietro Bagli Pennacchiotti.
Made of wood, it is composed of 2 elements, lid and container, connected by an iron gear. The two elements are placed on the rotating side, the dynamics, on 5 wheels that allow the movement, manipulation of the lid around the body of the "box". I upholstered the Megabox with paper that I printed by hand, in the artistic silkscreen technique - the direct method, in layers - in 26 colors, the French text: "OVAJAIAIAIII ... Entendez-vous, je vous dis quelquechose". The first word is invented and onomatopoeic, without beginning and without end, while the phrase "Entendez-vous, Je vous dis quelque chose" represents my desire to communicate, considering that art is, above all, a form of communication, and , therefore, confirmation of the importance of its existence as a necessity.
The character of the letters of the text is that used by the Italian national daily newspaper "la Repubblica".
I composed this text like a newspaper page - the vehicle of communication and diffusion: rhythmically and repetitively, without beginning and without end, thinking about the infinite passage of time. I installed in MEGABOX a stereo recorder, choosing "RAPATITUDES" music, rap music, spoken, without beginning and end, in French with an African accent. In order to "give voice" to the text and especially to the transmission, diffusion of the idea of ​​communication of my artistic belief.
dimm: 180 cm diameter; 90 cm thick (when closed), and when open and mobile; 80 cm box thickness and 30 cm lid thickness.
MEGABOX, Sculpture installated, 1992, diameter 180 cm, wood,  serigraphie on paper 26 colours, iron, wheel, locomotion system with iron gear, stereo recorder.

I was inspired by the boxes that were used in 1700, small symbolic everyday objects upholstered / upholstered with canvas or colored / decorated paper, in which small "things" with romantic / nostalgic function, with personal intimate emotional load were preserved. , precious sentimental memories of loved ones, such as hairstyles, small photos, etc. The conceptual operation is to enlarge a small object for everyday use, a spatial extension with the intention not to reproduce the reality, but to suggest it, changing -the meaning.After the material transformation and the ideology underlie the poetic moment, and the metamorphosis becomes a metaphor.

It is an installed sculpture, made in 1993, with the technical collaboration of Arch. Pietro Bagli Pennacchiotti.
Made of wood, it is composed of 2 elements, lid and container, connected by an iron gear. The two elements are placed on the rotating side, the dynamics, on 5 wheels that allow the movement, manipulation of the lid around the body of the "box". I upholstered the Megabox with paper that I printed by hand, in the artistic silkscreen technique - the direct method, in layers - in 26 colors, the French text: "OVAJAIAIAIII ... Entendez-vous, je vous dis quelquechose". The first word is invented and onomatopoeic, without beginning and without end, while the phrase "Entendez-vous, Je vous dis quelque chose" represents my desire to communicate, considering that art is, above all, a form of communication, and , therefore, confirmation of the importance of its existence as a necessity.
The character of the letters of the text is that used by the Italian national daily newspaper "la Repubblica".
I composed this text like a newspaper page - the vehicle of communication and diffusion: rhythmically and repetitively, without beginning and without end, thinking about the infinite passage of time. I installed in MEGABOX a stereo recorder, choosing "RAPATITUDES" music, rap music, spoken, without beginning and end, in French with an African accent. In order to "give voice" to the text and especially to the transmission, diffusion of the idea of ​​communication of my artistic belief.
dimm: 180 cm diameter; 90 cm thick (when closed), and when open and mobile; 80 cm box thickness and 30 cm lid thickness.
MEGABOX - Installation sculpture, musical. Exhibition: Scuderie Aldobrandini Museum, Frascati, 2001, Romanian Academy in Rome 1993 and 2004.
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OVAJAIAIAA.....Entendez-vous, Je vous dis quelque chose Sculpture

Luminita Taranu

Italy

Sculpture, Wood on Iron

Size: 70.9 W x 70.9 H x 31.5 D in

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MEGABOX, Sculpture installated, 1992, diameter 180 cm, wood, serigraphie on paper 26 colours, iron, wheel, locomotion system with iron gear, stereo recorder. I was inspired by the boxes that were used in 1700, small symbolic everyday objects upholstered / upholstered with canvas or colored / decorated paper, in which small "things" with romantic / nostalgic function, with personal intimate emotional load were preserved. , precious sentimental memories of loved ones, such as hairstyles, small photos, etc. The conceptual operation is to enlarge a small object for everyday use, a spatial extension with the intention not to reproduce the reality, but to suggest it, changing -the meaning.After the material transformation and the ideology underlie the poetic moment, and the metamorphosis becomes a metaphor. It is an installed sculpture, made in 1993, with the technical collaboration of Arch. Pietro Bagli Pennacchiotti. Made of wood, it is composed of 2 elements, lid and container, connected by an iron gear. The two elements are placed on the rotating side, the dynamics, on 5 wheels that allow the movement, manipulation of the lid around the body of the "box". I upholstered the Megabox with paper that I printed by hand, in the artistic silkscreen technique - the direct method, in layers - in 26 colors, the French text: "OVAJAIAIAIII ... Entendez-vous, je vous dis quelquechose". The first word is invented and onomatopoeic, without beginning and without end, while the phrase "Entendez-vous, Je vous dis quelque chose" represents my desire to communicate, considering that art is, above all, a form of communication, and , therefore, confirmation of the importance of its existence as a necessity. The character of the letters of the text is that used by the Italian national daily newspaper "la Repubblica". I composed this text like a newspaper page - the vehicle of communication and diffusion: rhythmically and repetitively, without beginning and without end, thinking about the infinite passage of time. I installed in MEGABOX a stereo recorder, choosing "RAPATITUDES" music, rap music, spoken, without beginning and end, in French with an African accent. In order to "give voice" to the text and especially to the transmission, diffusion of the idea of ​​communication of my artistic belief. dimm: 180 cm diameter; 90 cm thick (when closed), and when open and mobile; 80 cm box thickness and 30 cm lid thickness.

Details & Dimensions

Multi-paneled Sculpture:Wood on Iron

Original:One-of-a-kind Artwork

Size:70.9 W x 70.9 H x 31.5 D in

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Born in Lugoj, Romania. Established in Italy since 1987, where he lives and works. Awards received: in 1987 she was awarded a National Prize of Romanian Visual Artists Union for drawing, engraving and lithography. in 1996 her work SUPERSLIDE 29 won a silver plate at the 23° Sulmona Prize International Contemporary Art Competition, Diocesan Civic Museum, Sulmona (AQ), Abruzzo; in 2012 she received the Art Critics’ Special Mention for her pictorial installation Metaphor: Central Group Y + Central Detail + Lower Detail at the Lìmen International Art Competition held at the Enrico Gagliardi Museum in Vibo Valentia, Calabria; 2013 her project COWMAN of the World - was selected through competition and has participated at the inaugural Opening of the New Science Museum MUSE in Trento, designed by Archistar Renzo Piano. He participated with two digital installations and drawing performance. June 22, 2018 he was awarded the "Excellency Award" of the Romanian Government "100 for Centenary" (10 for Italy), held at Romanian Academy in Rome, for his artistic work made in Italy. Conferred by MPRP. 2020 - She was awarded the Special Prize for the Foreign Artist at 47°Sulmona Prize International Contemporary Art for the work PICTA MANENT 2020. Diocesan Civic Museum Sulmona (Aquila), Abruzzo. Works present in museums collections: MAGI ‘900 Museum of Italian Generations of '900, Pieve di Cento (Bologna); Scuderie Aldobrandini City Museum, Frascati (Rome); Permanent Collection of the Center for Research, Documentation and Promotion Constantin Brancusi, Targu Jiu (Romania); Museum of History and Contemporary Art in Blaj, Romania; National Library of the San Nilo Abbey, Grottaferrata (Roma); Museum of the House of Dante Alighieri Foundation, Torre de’ Passeri (Abruzzo) and in private collections in Italy, Romania and SUA. Her artworks have been reviewed by modern and contemporary art critics, curators and historians: Mario de Candia, Giorgio Di Genova, Alberto Dambruoso, Barbara Martusciello, Arnaldo Romani Brizzi, Ivana D'Agostino, Cinzia Folcarelli, Stefania Severi, Federica Di Castro and Adrian Guța. The connecting thread of Ţăranu’s artistic development is metamorphosis, which also becomes a working method and a research method for conceptual and structural transformation in both graphic and pictorial form and in the construction of mega-objectual and digital installations.

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