View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
United States Minor Outlying Islands
Photography, Polaroid on Other
Size: 7.9 W x 7.9 H x 0.1 D in
Ships in a Box
Artist featured in a collection
Featured in the Catalog
Showed at the The Other Art Fair
'Memories of Love III' (The Girl behind the White Picket Fence) with Heather Megan Christie. Edition 1 of 10, plus Artist 2 Proofs, 2013, 20x20cm, digital C-Print, based on a SX-70 Polaroid. Certificate and signature label. Artist Inventory # 16502.01 Not mounted. Offered is a piece from the movie: The Girl behind the White Picket Fence An artist’s world of movie stills, 'The Girl Behind the White Picket Fence' is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keep the viewer paying close attention. But this is no Instagram lark; this is real analog Polaroid film. This is a one off, a complete window into the artist’s mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine)
Photography Print:Polaroid on Other
Artist Produced Limited Edition of:10
Size:7.9 W x 7.9 H x 0.1 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut fÃ¼r Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.
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