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VIEW IN MY ROOM
VIEW IN MY ROOM
Painting, Oil on Canvas
Size: 39.4 W x 47.2 H x 1.1 D in
Ships in a Crate
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Painting: Oil, Watercolor on Canvas. P r o c e s s: The underpainting is done with watercolour. This is really tricky for few reasons. It took me a considerable amount of time to work out the canvas maker that is suitable for the effect. For the paint to give me these beautiful semi translucent washes, the cotton has to be the right grain and correctly primed. The underpainting takes very little room for mistake and even now sometimes I scrap the canvas and start all over. There is very special fast drying medium used to cover delicate layers with the right amount of thin oil paint and to make the pigment more fade resistant and prevent from any yellowing. This stage is repeated many times to build the satisfactory depth. I then go with a tiny brush to go over the edges and borders, adding definition with acrylic. Final two - the signature, usually on the front (but some paintings I leave unsigned on the front till they are sold, so the buyer can cast his/her wish to see my surname on the front or back of the artwork). And [ta-ra!] the paper planes connected a thin thread which they tied up to each other or the clouds. S t o r y The Migration collection is intend to capture the subject of departure focusing on positive effects of separation, leaving, breaking ties. The paper airplane is a faceless portrait of a traveler, explorer and a pioneer. Object with simple light emotion bringing back the carefree childhood moments and playfulness. Imposing or sometimes enveloping this directive element with the clouds I strengthen the message to emphasise the scale of ever-changing terrain around us. The clouds are big and strong. Paper planes to the contrary — small and fragile. Not suppose to fly that far or high these little vessels, just like we are, found themselves redefining their limits. Also the detail that connects paper airplanes comes from my Connected series on paper. Visual form showing companionship is found in every journey we take. H120 x W100 cm / H47" x W39" 2.86cm white edge Gloss varnish (gentle shine) to protect from UV, dust and scuffing. Mid grain cotton canvas only artist quality paints, mediums and varnish. shipped stretched fully framed (white float frame - professional ftaming) ready to go on the wall out of the box . . I also actively work with interior and fit out designers, art consultants, advertising teams and happy to discuss specific project needs min size commission for my Cloudscapes series 100x100, max 120x150 a single piece however - completion dates on cloud series approx March 2021 due to maternity leave
Painting:Oil on Canvas
Size:39.4 W x 47.2 H x 1.1 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
As a multidisciplinary artist I enjoy experimenting across traditional media developing several collections in parallel. Just like my approach to painting, behind the striking aerial seascapes, dreamy sky canvases and delicate watercolour geometry on paper there lies an adventure. Questioning 'what if', 'where to' and answering 'lets run away' my paintings take you on the journey offering an easy escape not just for your eyes but hopefully invoking much deeper sentiments. Seemingly light hearted and often romantic creations are kaleidoscopic puzzles channeling my own qualities I considers well hidden otherwise. Since 2015 ive been a frequent participant of London art fairs, popular with high end interior designers, hospitality sector art consultants and loves working on commissions. B i o g r a p h y: Born and raised in a small oily town on the shores of the Caspian Sea, a promising art school graduate age 15, I was swayed to train as a lawyer instead. Moved to Aberdeen in 2005 and having made career in energy in London, I have lost my interest in corporate world in 2015 and pursued my artistic development full time. in 2020 I became a mother so we moved out to Berkshire to raise my family in a beautiful English countryside.
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